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Curve Pusher

Hastings, East Sussex-based Curve Pusher is one of the UK’s leading vinyl record cutting and audio mastering studios, having been mastering and cutting records since 1999. The studio suite (with four separate rooms) is known for its world-class analogue mastering chain, including three Neumann VMS70 lathes and a suite of classic hardware. They offer services from vinyl lacquer cutting (7/10 and 12-inch), and digital/vinyl mastering to tape transfers and audio restoration.

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The Mastering Lab

The Mastering Lab at Acoustic Sounds is an independent mastering facility originally founded by the legendary Doug Sax. The historic facility is currently housed at Blue Heaven Studios in Salina, Kansas, and utilises a rare, hand-built tube-based console and a Neumann VMS70 cutting lathe. The primary mastering engineer is highly respected Grammy-nominated mastering and recording […]

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Tapetodisk

Founded in 2013, TapetoDisk is an Italian vinyl mastering, lacquer, and dubplate cutting service based in Naples. They utilise a restored Neumann VMS 70 cutting lathe equipped with an SX74 cutter head and SAL74B electronics, complemented by a custom-built analogue mastering chain. This setup allows them to cut high-quality lacquer discs that are then used […]

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Kyriazis Studios

Kyriazis Studios is one of Greece’s most historic and prestigious recording studios, originally founded in 1979 as Master Sound. It relocated in 1990 to its current purpose-built facility in Halandri, a suburb of Athens, and was renamed Kyriazis Studios. They offer vinyl mastering services and lacquer cutting, using the Neumann VMS-70 lathe and SX-74 cutterhead […]

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VinylRecordPress.media is a curated global directory connecting artists, labels and music managers with vinyl record pressing plants, audio cassette manufacturers, CD duplicators, lathe-cut record producers and specialist services. From mastering, lacquer and DMM cutting to full vinyl production, it brings together the practical resources needed to bring physical music releases to life.

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