Lathe Cut Records

The First Production Master Cut Made with SimuLathe — LathesVille Berlin, March 3, 2022

On March 3rd, 2022, at LathesVille in Berlin, the first production master cut made with SimuLathe was successfully approved for manufacturing.

This was not a test cut or demonstration. The master shown in this video entered the actual record production chain, making it the first production release cut with SimuLathe.

The event took place 281 days before the public release of SimuLathe on December 9th, 2022.

What began as a crazy idea by Helmut Erler, Vladislav Goncharov and Fabien Schivre evolved into a tool that fundamentally changed the workflow of professional disc mastering. For the first time, groove geometry, pitch, depth and cutterhead behavior could be analyzed and optimized in advance, reducing the need for dummy runs, test cuts and repeated mastering passes.

What the industry said:

"SimuLathe has changed the game completely for cutting long sides. I never have to do a dry run to optimize level / space usage. And the safety limiters give me confidence that my pitch and depth system can deal with the challenges of modern digital production techniques. It’s the best addition to my lathe since upgrading my pitch computer."
— Greg Reierson, Rare Form Mastering

"Simulathe is absolutely sublime, and well thought out in every aspect. I honestly cannot see myself cutting master discs without it going forward. I'm a lifetime subscriber. Highly recommended."
— Tim Xavier, Man Made Mastering

"It's literally Henry Ford's Model-T revolution in phonography."
— Kamil Kaczmarek, Optical Disc Mastering

"SimuLathe is the modern tool that cutting engineers have all been waiting for."
— Josh Bonati

"It's very well done. Lots of useful features. It's nice to see something so difficult executed so well."
— Paul Gold

Special thanks to the many mastering engineers, cutting engineers, manufacturers and production experts who helped shape, evaluate and test SimuLathe throughout its development.

Official public release of SimuLathe:
December 9, 2022

Studio:
https://lathesville.com

TDR SimuLathe:
https://www.tokyodawn.net

Mastering:
https://mastering.heyrec.org

#SimuLathe #VinylMastering #DiscCutting #Mastering #VinylCutting #LathesVille #RecordProduction #CuttingEngineer #TDR #Berlin

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Step inside the world of high-end vinyl mastering with Safe & Sound Texas Audio Excursion as we take you inside Infrasonic Sound for an exclusive look at the remarkable installation and setup of the legendary Neumann VMS-80 lacquer cutting lathe. This rare behind-the-scenes tour explores one of the most sophisticated and sought-after vinyl mastering systems ever built — the same class of cutting technology trusted by elite mastering studios around the world for producing audiophile-quality vinyl records.

In this video, you’ll discover the incredible engineering behind the Neumann VMS-80, the challenges involved in transporting and calibrating such a precision machine, and why lacquer cutting remains one of the most specialized crafts in modern audio production. From the cutting head and groove-spacing computer to the meticulous setup process required for accurate vinyl mastering, this episode is packed with insights for vinyl collectors, mastering engineers, audiophiles, and music production enthusiasts alike.

The Neumann VMS-80 is widely regarded as one of the pinnacle achievements in analog disc mastering technology, prized for its automation systems, precision groove control, and ability to produce world-class lacquer masters for vinyl pressing.

If you love vinyl records, mastering studios, analog audio gear, record pressing, lacquer cutting, or the history of professional recording technology, this is an episode you won’t want to miss.

🔔 Subscribe to Safe & Sound Texas Audio Excursion for more exclusive studio tours, vinyl mastering content, audiophile equipment features, and behind-the-scenes access to the world of professional audio production.

#Vinyl #LacquerCutting #NeumannVMS80 #VinylMastering #InfrasonicSound #Nashville #Audiophile #RecordPressing #MasteringStudio #AnalogAudio #VinylRecords #SafeAndSoundTexasAudioExcursion
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Get your song mastered at Mixdown Mastering - https://www.mixdownmastering.com

Chapters:
00:00 Start
08:10 Test
19:26 Star Rating




✅ Join this channel to get access to perks, including free mastering:
/ @studiolife101





THE/AUDIO/FIRM has just released the update to FURNACE🔥!

The most accurate analogue sounding emulation out there.

GET THE DEMO HERE: https://www.fazertone.com/plugin/furnace

Check the website for system requirements etc.



✅ MIXING COURSE 2 - MIXING IN THE BOX - https://www.mixdownmanagement.com/mixing-course-2

✅ MASTERING COURSE - https://www.mixdownmanagement.com/mastering-course



✅ THE STUDIO LIFE WEBPAGE: https://www.mixdownmanagement.com/studiolife


Sean's Mixing and Mastering website: https://www.mixdownmastering.com

Email for booking enquiries: sean@mixdownmanagement.com

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At https://recordcut.com Songs that are not released on vinyl can be released on polycarbonate lathe cut records. Great instrumental House cut from Heritage Limited. I've also heard a similar song with vocals on another YouTube site. This Disco House Producer and DJ based in Amsterdam wrote this song while on a train to Paris from Amsterdam. Thanks for making this one!

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Ten years ago this January I managed to get the keys to a bunker. I had been looking for a space to build a lab; a space with enough room to start new projects, invite people to collaborate on music, visual art, live performances, live streaming, and any other idea that might come along. One of the ideas I wanted to try was getting a vinyl cutting machine, a lathe, to make vinyl records in-house. I liked the DIY approach; it gave me a sense of freedom. I saw it as a way to document the things that happened in the lab, through small runs of vinyl records. I loved the idea of being able to bypass the whole label planning process and cut music to vinyl on the same day it was recorded. Over the years, many sessions and collaborations have been added to the archive this way, exclusively on limited vinyl.

Fast forward ten years, and many of those initial ideas have come to fruition. STOOR Live, Stay Home Soundsystem, Knob Twiddlers Hangout, and Pink Noise have all unfolded nicely, thanks to the involvement and energy of a growing circle of collaborators. This year the focus is on further developing the vinyl cutting and custom packaging ideas that have been evolving over time. New music is currently taking shape in the studio, with a series of releases planned for the coming months.

To kick off this new series of releases, I’m re-releasing the first two records ever to come out of the STOOR project: S1 and S2, the first two editions of the vinyl archive. At the time they were intentionally released under the obscure alias JPG, with only 50 copies made. Now they are being re-released as Speedy J, digitally and on vinyl. The vinyl editions come in the classic STOOR vinyl archive packaging: each hand-numbered copy housed in 450gsm sleeves with magnetic flaps and an info pocket, complemented by anti-static, anti-dust audiophile inner sleeves.

released January 16, 2026

Mastered by Manmade Mastering
Written & Produced by Jochem Paap

Bandcamp: https://stoor.bandcamp.com/
Facebook: https://www.facebook.com/stoorlab/
Instagram: https://www.instagram.com/stoorlab/
Soundcloud: https://soundcloud.com/stoor/sets
Podcast: https://knobtwiddlershangout.fireside.fm/

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Fun Fact: People often incorrectly assume "Hot of the Presses" means from a Printing Press, but actually it's talking about my HOT LP coming off that Press!

SUPER COOL AND SUPER SECRET EMAIL LIST: https://forms.gle/FeKwa4dMWZEk1rTq7
https://mariodisanto.bandcamp.com/
https://www.patreon.com/MarioDiSanto/

In today's video we going to discuss how to get a batch of LP records (vinyl for you young whippersnappers) pressed for cheap. Selling these puppies for $20 a pop and making 50% profit is great business. BIG business as the pig say. But seriously, DIY is coming back and it's better than ever.

A quick brown fox jumps over the lazy dog.

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I paid $135 to turn my audio into a real vinyl record... and I may have been ripped off. Ever get so excited for something that you’re already imagining how perfect it’s going to be?
Yeah… this vinyl record was that for me.

I’ve been working on a music project with Cedar Miles, and I thought it’d be incredible to get custom vinyl made as a keepsake. Full sleeve, full-color labels, the whole deal. It arrived looking beautiful.

But the moment I dropped the needle, the disappointment hit fast.

- Mono
- Low clarity
- Shallow grooves
- Surface noise louder than the music

So today, we’re diving deep into why this happens.
We’ll compare lathe-cut vinyl vs pressed vinyl, break down the technical differences, talk through the limitations of certain materials, and go over the alternatives if you want a custom record that actually sounds good.

Whether you’re an artist, a collector, or a vinyl nerd like me, this is a look behind the curtain that can save you time, money, and heartbreak.

Chapters in this video:
00:00 – The vinyl that disappointed me
00:28 – What I expected
00:38 – Dropping the needle
01:45 – Pressed Vinyl: How it works
02:56 – Lathe-Cut Vinyl: What’s different
04:02 – Why lathe cuts often sound bad
04:42 – Better alternatives to consider
06:15 – Final thoughts & what I’ll do next

If you enjoy vintage tech, old formats, and deep dives into how things actually work, hit subscribe and stick around. Plenty more coming soon.

Join this channel to get access to perks:
https://www.youtube.com/channel/UCLsR3a2CVunvU4Q_KqUlDTg/join

Support us on Patreon: https://www.patreon.com/vintageelectronicschannel

#VintageElectronicsChannel #VinylRecord #LatheCut #PressedVinyl #VinylCommunity #VinylRecords #CustomVinyl #AudioNerd #AnalogAudio #TechExplained #VinylReview #RecordCollectors #TurntableLife #CedarMiles #VinylDeepDive #electronicscreators #vintageelectronics #electronics

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DDR Custom Amplifier
Stylus Heating Tools V2

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Vinyl mastering for electronic music demands precision — not every mix will survive the physical constraints of the vinyl press. In this video, I use TDR Simulathe to visualize and understand how a digital master translates into a real groove, and what can go wrong when width, phase, or low-end aren’t under control.

We’ll explore the key adjustments needed to make your tracks cut beautifully on vinyl: subtle stereo management, low-end refinement, and controlled dynamics. Using tools like Brainworx panEQ, Tone Projects Basslane Pro, M/S processing, multiband compressors and transparent filtering, I’ll show how to bring electronic mixes into compliance with the format — elegantly and without compromise using both TDR Simulathe and ADPTR metric AB visualisation tools.

Exploring the unique challenges of mastering for vinyl, especially for electronic music with its demanding low end and stereo information. This video discusses how to master for vinyl and previews potential issues before vinyl pressing using specialized tools. Learn about preserving analog audio quality in the vinyl vs digital world.

If you master or produce techno, ambient, or deep electronic music, this is a must-watch to understand the physics behind the art of groove translation.

00:00 Intro
01:05 Communication with the pressing plant
03:51 The physics of the groove
04:54 Speed and audio length per side
06:30 Conceptual use of Simulathe
09:00 Session prep
12:06 Setting up Simulathe
14:28 Excursion
15:27 Width
16:01 Velocity
16:22 Land
17:34 DC Offset
18:21 RIAA filters
21:12 Practical use cases
22:19 Elliptical Filter (and phase)
25:42 Basslane Pro
27:22 Brainworks PanEq
29:26 Multiband Correlometer (ADPTR Metric AB)
32:55 Conclusion


Enjoyed this content? Check out the other videos on my channel: https://www.youtube.com/@incidence.studio
Mixing & Mastering specialised in Electronic Music : www.incidence.studio

"Every move shaped with intent"

Incidence.studio@gmail.com
#mastering #vinylrecords #simulathe

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I GOT AN EMAIL A COUPLE OF WEEKS AGO ASKING TO SHOW MORE OF THE CUTTING PROCESS AND THE LATHE. ACTUALLY ITS QUITE BORING TO WATCH BUT DOES DEMONSTRATE THE ENTIRE PROCESS OF RECORDING A DISC IN REAL TIME. EXCELLENT RESULTS...

THEVICTROLAGUY@GMAIL.COM

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Lathe：HARA AU-70-17C
Sound source：iphone
Line Level：6.0
RPM：45
Stylus：Diamond with Heating Tool
Stylus Weight：Approx. 20g
Blank：made of PVC

Player：Audio-Technica AT-LP120XBT-USB
Tone Arm：Standard
Cartridge：ortofon 2M Mono Premounted

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I share my audio excursion to a place outside Asheville, North Carolina where artists can create their own custom vinyl records without going broke!

Of course, there are pros and cons to every method of producing vinyl; but for those who want to enter into the vinyl world for their material, this option may be a steppingstone to get an artists' feet wet!

0:00 Intro
0:39 American Vinyl overview
2:15 On-site How it works
15:49 Remote Recording Truck
16:48 Producing Covers
20:09 Direct-to-Cut Sound?
22:15 Outro

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Bleached Lathe Cuts, packaging options, and general info.

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A REALLY INTERESTING EXPERIMENT, I FOUND A RAY CHARLES 78 DISC ON YOU TUBE BEING PLAYED AT 45 RPM SO I RECORDED IT AT 45 RPM AND PLAYED IT BACK AT 78 RPM, EXCELLENT RESULTS FOR THE FIRST TEST. HALF SPEED MASTERING ALLOWS YOU TO RECORD MUCH HIGHER LEVELS THAT WOULD OVERMODULATE A REGULAR RECORDING, THIS TECHNIQUE IS USED IN FULL SCALE RECORD PRODUCTION...

THEVICTROLAGUY@GMAIL.COM

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🔥 Elevate your mastering skills in just 5-days (FREE) https://www.panoramamastering.com.au/5d-mastering-sprint
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🎧 About This Video
I'm showing you my complete mastering workflow from start to finish, exactly as I deliver it to cutting engineers.

Inside, you’ll see how I:
- Sequence and time each vinyl side for optimal playback and groove real estate
- Manage loudness
- Build a simulation cut using Simulathe to test excursion, width, and velocity
- Diagnose problem areas (like out-of-phase signals or overly hot high frequencies)
- Use tools like automation, filtering, and monitoring to prep a cuttable, punchy, clean master
- Format and export files with all necessary naming, sequencing, and documentation for the cutting engineer
- Review test pressings and check for consistent playback before full manufacturing

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@elasticStage vinyl-on-demand record unboxing & Tangible Formats lathe cut album showdown direct A/B sound quality comparison & packaging/record jacket/disc label comparison 4K video, 24bit/96kHz PCM audio
0:00-8:11 audio from 24bit/96kHz flac master files, same files submitted to both manufacturers
8:12-end audio from ElasticStage & Tangible Formats lathe cuts

http://www.ajpayler.com/
https://elasticstage.com/aaronpoehler
https://elasticstage.com/aaronpoehler/releases/apocalyptic-sunsets-album

http://instagram.com/payleraj
@ajpayler.bsky.social

#vinyl #vinylrecords

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Recording with
- Vacuum Nozzle (DDR Silent Vacuum Tools)
- DDR Customer Amplifier
- DDR Stylus Heating Tools V2

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Work with me - https://www.raretonemastering.com/contact

A lot of people get in touch with me to ask about getting started in the record cutting industry and it's a diificult place to navigate if you don't know where to look and who to ask.

In this video I explain how to get started, what books to look for and the best forum to learn from - The Secret Society Of The Lathe Trolls.
https://lathetrolls.com/

#MasteringTips #MusicProduction #MixingToMastering #IndependentArtist #RareToneMastering

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Work with me - https://www.raretonemastering.com/contact

Here's a very candid video of me talking about and cutting a record in real time.
This was a test cut for some records that I will be cutting so I thought 'd show you the process.

If you have any questions please leave them in the comments!

#MasteringTips #MusicProduction #MixingToMastering #IndependentArtist #RareToneMastering

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