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Hyssingen Vinyl

Based in Bergen, Norway, Vinylverkstedet (The Vinyl Workshop) is the world’s first school with a fully fledged vinyl production plant, using the German-made Newbilt press. Part of the Hyssingen Produksjonsskole (Production School), here school dropouts get a second chance by learning the art of vinyl pressing. Together with the German pressing plant Matter of Fact, they’re developing a curriculum for aspiring machine operators in vinyl pressing plants to set international standards.

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Groove By Groove

Groove by Groove is a Gothenburg, Sweden-based company specialising in limited-edition vinyl records made with lathe-cut technology. Each record is cut in real time, offering a craft-focused alternative to traditional pressing. They offer 7/10-inch and 12-inch records in a variety of colours from a single disc up to 100 copies. All discs come with white […]

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Kommunal Dubplate Service

Kommunal Dubplate Service is a recording, vinyl mastering, dubplate and lacquer-cutting studio based in Copenhagen, Denmark, established in 2008 by DJ Havd, aka Hari Kishore. The studio is recognised as the only dedicated lacquer-cutting service in Denmark and uses a vintage Scully vinyl-cutting lathe, previously owned by Manmade Mastering in Berlin.  It’s located at Støberiet local culture commune in […]

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Bergen Dubplate Service

Norway’s boutique lathe‑cut records studio, Bergen Dubplate Service, offers custom 7/10-inch and 12-inch vinyl on 2 mm black blanks. Short runs of up to 20 records and one‑off cuts with clear time limits and tiered pricing (discounts for multiple orders). Based in Bergen, Norway and run since 2025 by Christian Blersch, aka recordpress operator Natty Cee. […]

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VinylRecordPress.media is a curated global directory connecting artists, labels and music managers with vinyl record pressing plants, audio cassette manufacturers, CD duplicators, lathe-cut record producers and specialist services. From mastering, lacquer and DMM cutting to full vinyl production, it brings together the practical resources needed to bring physical music releases to life.

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